从某种程度上看,所谓“坏女人”的形象谱系,是缺乏历史纵深感的。相比于其他人物形象———比如“旧人”“新人”、“英雄”“少年”等———“坏女人”形象在不同阶段的文学史中,指涉的对象几乎永远与一种“性道德”上的“缺陷”相关,从未发生明显的变化。无论是古代文学中的妲己、褒姒一类“红颜祸水”式的形象,或是像潘金莲、潘巧云一类 To some extent, the pedigree of the so-called “bad woman” lacks the historical sense of depth. Compared to other characters --- such as “old man ” “newcomer ”, “hero ” “juvenile ” and so on - “bad woman ” image in different stages of literary history , The object of reference is almost always associated with a “defect” in “sexual morality”, and no obvious change has taken place. No matter in the ancient literature, such as self-criticism, a kind of “red troubles” image, or like Pan Jinlian, Pan Qiao Yun a class