有些数字成了横加在人们身上非人道的分界线：古时候认为圣人必须有“双耳垂肩两手过膝”之相,美女务求“金莲三寸”, 英雄必定“堂堂七尺”,时至今日,“160、 34B”还成为部分职业录取标准。最恐怖的还是曾盛极一时的“维特鲁威论”,其谈到人体自然尺寸时认为：脚的大小是人身高的七分之一；整个手掌的长度是人身高的十分之一；从下巴到人头顶的长度是他身高的八分之一……我一直避免查考这些数据在我身上的真实验证。否则,极有可能我不仅成不了圣人和美女,连个正常人也谈不上了。最近翻看斐波那契数列和黄金分割率资料,研究结果是,如果一个人的脸完全符合黄金分割率的话,(即长度和宽度的比例为1．618)其视觉美感最强。也就是说,那脸就会像达·芬奇的画作、柯布思的默丢勒 Some figures have become cross-fertilization in people’s inhumane boundaries: in ancient times that the saints must have “both ears shoulders knee” phase, the beauty of the Trilogy, the hero must be “dignified seven feet,” and today , “160, 34B” has also become part of the professional admission standards. The most horrifying or ever-victorious “Vitruvius”, when it comes to the natural size of human body that: the size of the foot is one-seventh of the height of man; the length of the palm of the hand is one-tenth of the height of man; The length from the chin to the top of the head is one eighth of his height ... I’ve avoided the real test of the data on me. Otherwise, most likely I not only can not become saints and beauties, even a normal person can not talk about it. Looking at the Fibonacci numbers and the golden ratio data recently, the result is that if a person’s face fully meets the golden ratio (ie, the ratio of length to width is 1.618), the visual aesthetics is strongest. In other words, that face will be like Leonardo da Vinci’s paintings, Cody Durel