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从陈子昂提倡“风骨”论到李白再次提出“风骨”论 ,形成了初唐到盛唐的一股美学思潮。李白以美学史家的巨深眼光 ,充分认识到美学史的发展状况 ,善于进行思想的融合。他推崇建安时代的“风骨”美学 ,成为他的理想目标。天然、清新是李白的又一重要的美学思想。它要求审美形态回归本体。它宣告了六朝美学的终结 ,同时宣告了另一个美学新时代的到来。因而 ,它具有盛唐时代特征。
From Chen Zi’ang advocated “Fenggu” theory to Li Bai once again put forward “Fenggu” theory, formed the early Tang Dynasty to Tang Dynasty an aesthetic trend of thought. With a profound and profound view of the aesthetics historians, Li Bai fully realized the development of the history of aesthetics and was good at integrating the thoughts. He praised Jian-An era of “strength of character” aesthetics, as his ideal goal. Natural, fresh is another important aesthetics of Li Bai. It requires the return of the aesthetic form to the ontology. It proclaimed the end of aesthetics in the Six Dynasties and at the same time proclaimed the arrival of another new era of aesthetics. Therefore, it has the Tang Dynasty characteristics.