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研究元小说的语言功能特征,需要结合它的代表性作家作品,从例证的分析中探讨这类小说创作模式在叙事上的变异与变革。元小说在作者与读者的关系上,用小说套小说,使人物关系错综复杂,甚至错位。在小说与批评的关系上,用小说创作反省自身,讨论、评论文学创作及小说的意义,使故事情节与评价议论交替进行;在艺术与生活的关系上,将关注的重点放在形式上,追求语言的表达策略,而将一切小说文本和对象客体都视为虚构的世界。
To study the linguistic features of metafiction, we need to explore its variations and changes in narration from the analysis of examples in the light of its representative works of writers. Yuan novels in the relationship between the author and the reader, with the novel novels, the relationship between characters complex, or even dislocation. In the relationship between novels and criticism, the novel creation reflects on itself, discussing and commenting on the literary creation and the significance of the novel, so that the plot of the story alternates with the evaluation and discussion. In the relationship between art and life, the emphasis is placed on the formal, The pursuit of language expression strategy, and all the novel text and object objects are regarded as a fictional world.