技术美学的当代对话

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时下美学为显示具“有用”,而极力贴近,切入实际,这种美学的泛化倾向,导致“席俗美”的肆意泛滥,这有意无意地消解了美学的哲学品格,使之降为纯粹技术性或T具性的学科。在此时潮冲击下,本来属于美学原理研究一个学派的技术美学,被形下化为偏重经验层而的技术性的T艺学,成为对日常生活的美化及产品促销的包装与装饰手段。原本具有深厚哲学、美学基础,研究领域宽广的技术美学日益狭隘化,工具化,这种一昧注重应用的形下研究不仅有偏离技术美学始源内涵的危险倾向,而日还把技术美学的研究导入误区。 诚然,技术美学足以研究技术父为核心的。枝术美作为—种典型的审美形是工业革命的产物,它直接来源于莫里斯等人倡导的新手工艺运动,中经包豪斯、美国功能主义等发展为一门实用性很强的坚实学科。技术美学因其引对性、应用性,被误解为技术加艺术或技术加美学,而忽略具对技术的遏制性质。枝术美学之所以作为一门美学学科,而不是一门实用艺术或T艺设计,就因其哲学根基和美学品格,因其固有的终极目的和人 Nowadays, aesthetics is displaying “usefulness”, and it tries its best to get close to reality and practice. The general tendency of aesthetics leads to the indiscriminate spread of “the beauty of the audience.” It consciously or unconsciously dissolves the philosophical character of aesthetics and makes it pure Technical or T-specific disciplines. Under this tide of impact, the technical aesthetics that originally belonged to a school of aesthetic principles was formally transformed into a technical T-art that emphasized the experience layer and became a means of packaging and decoration of daily life and product promotion. Originally, the technical aesthetics with profound philosophy, aesthetics foundation and broad research field has been increasingly narrowed and instrumentalized. This research not only deviated from the origin of technical aesthetics, but also applied technical aesthetics Research into misunderstanding. Admittedly, technical aesthetics is enough to study the technology parent as the core. As a typical aesthetic form is the product of the industrial revolution, it comes directly from the novice arts and crafts movement advocated by Maurice et al., Developed into a practical and strong solid by Bauhaus, American functionalism Subject. Technical aesthetics is misunderstood as a technology plus art or technology plus aesthetics because of its argumentability and applicability, ignoring the containment nature of technology. The reason why branch aesthetics is used as an aesthetic discipline rather than a practical or T art design is due to its philosophical foundations and aesthetic qualities,
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