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尤金·奥尼尔以其具有深沉悲剧美的表现主义的剧作奠定了在美国戏剧史乃至世界戏剧史上的崇高地位,而其后期剧作则发生了被评论者称为“回归(现实主义)”的某种逆转。一是在悲剧性问题上,主要表现普通人以及日常生活中的悲剧性,呈现“平凡悲剧”的特征;二是在现实主义问题上,不再是“照相式”或“反映论式”的现实主义,而是直击生活和人类灵魂的本质,具有极强的“穿透性”力量,可以称作“本质现实主义”。奥尼尔后期剧作,是其早期剧作的有力升华,而非一般论者所认为的对传统悲剧和现实主义的简单“回归”。
Eugene O’Neill lays a supremacy in the history of theatrical theater in the United States and even in the theater of the world with his playful expression of deep, tragic beauty. In his later play, what happened was what critics called “return (realism) Some kind of reversal. First, on the tragedy issue, it mainly shows the ordinary people and the tragedy in daily life, presenting the characteristic of ”ordinary tragedy“; secondly, on the issue of realism, it is no longer the ”photographic“ or ” Instead, it reflects the essence of the “life style” and the human soul. It has a strong “penetrating power” and can be called “essential realism.” O’Neill’s later plays are a powerful distillation of his early dramas, rather than a simple “return” to the traditional tragedies and realism that the average general believes.