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作为“乐器之王”的钢琴,在中国有着非常广泛的专业基础与大众基础,很多人都熟悉并学习。相信在大家的脑海中,钢琴给我们留下印象最为深刻的莫过于无数钢琴独奏家对于经典钢琴作品的诠释,或者是四手联弹这种两位演奏家在同一架钢琴上合作演奏的形式。同样,在中国的钢琴教学中,学习者、演奏者所接受的也多是钢琴独奏方面的训练,虽然培养了不少杰出的钢琴独奏人才,但在这成绩的背后,笔者也发现了一定的不足与疏漏。首先就是钢琴课程
As the “King of Musical Instruments” piano, in China has a very wide range of professional foundation and mass foundation, many people are familiar with and learn. I believe in the minds of everyone, the piano left us the most impressive impression than many piano solosists for the interpretation of the classic piano works, or four hands and bombs that the two players in the same piano in the form of performance . Similarly, in China’s piano teaching, learners, performers are also mostly trained in piano solos, although cultivate a number of outstanding piano solo talent, but in the results behind, I also found a certain amount of Insufficient and omission. The first is the piano lesson