论文部分内容阅读
室内情景喜剧是目前中国电视剧中一个很独特的现象,一方面它是一部接着一部地拍摄,动辄上百集;另一方面却是面临着受众对这种戏剧形式的麻木和厌烦。本文尝试着从情景戏剧的发展说起,阐释情景喜剧在中国转型期中所发挥的作用和所处的尴尬地位。主要是从情景喜剧的主特点之一——说作为分析的切入点,论述了情景喜剧其实是在演员的调侃中消解了人们对现实社会中的一些矛盾,削减了大众媒体公共领域正常讨论的功能。
The indoor sitcom is a very unique phenomenon in Chinese TV drama at present. On the one hand, it is a series of filming shots of hundreds of sets at a time, while on the other hand, the audience are exposed to numbness and annoyance to such dramatic forms. This article attempts to talk about the development of context drama and explain the role and location of sitcom in the transitional period of China. Mainly from one of the main characteristics of the sitcom - say as the starting point of analysis, discusses the fact that sitcoms in the actors ridicule people to some contradictions in the real world, reducing the normal discussion of the public domain in the mass media Features.