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漳州布袋木偶戏,历史悠久。据载“源于晋,兴于明”,早在明代万历年间就流传到东南亚各国和台湾等地,其表演特点是指掌直接操纵偶像进行戏剧性的表演,使之活灵活现,栩栩如生,既能够体现人戏的唱、做、念、打及喜怒哀乐的感情,又能表演一些人戏难以体现的动作,是一个具有高超技艺,精美造型的独特风格的木偶剧种。 我从小痴迷布袋木偶戏,13岁步入漳州艺校木偶专科学艺,师承木偶表演大师杨胜、陈南田两位老师,专攻武生行当表演,在艺术生涯中,演出了近百出戏,塑造了许多性格迥异的人物形象。在木偶表演艺术创作中,我积累了很多经验并得到不少启示。
Zhangzhou bag puppet show, has a long history. According to contained “from Jin, Hing in the Ming”, as early as the Wanli years in the Ming Dynasty spread to all countries in Southeast Asia and Taiwan and other places, and its performance features refers to the direct manipulation of idols for dramatic performances, make it vivid, lifelike, both to reflect People play singing, doing, reading, playing emotions and emotions, but also to perform some people play difficult to reflect the action, is a highly skilled, beautiful shape of the unique style of puppetry. I grew up in a puppet puppet show. At the age of 13, I went to Zhangzhou Art School puppet college, performing puppet show masters Yangsheng and Chen Nan Tian, two teachers who specialized in Takefu performances. During my artistic career, I performed nearly 100 plays and created Many characters of different personalities. In the creation of puppet show, I have accumulated a lot of experience and get a lot of inspiration.