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众所周知,太行山洪谷是晚唐五代时期山水画家荆浩的隐居之地,荆浩不仅创作了有关此景的《匡庐图》,而且写了代表山水画理论之作的《笔法记》。在《匡庐图》中聚集了艺术创作理论的同时,还体现了他独特的表现技法,被后世公认为是北方山水画的代表作。到目前为止,对荆浩《匡庐图》的研究仅限于对山水画的表现手法以及对这幅作品的赏析,似乎对其中的“匡庐”之意并没有过多的研究。有的学者认为《匡庐图》中所描绘的景色与题目不符,有的认为此作品中描绘的是北方的太行山而不是南方的庐山,还有的学者认为《匡庐图》不是荆浩的真迹……下面就带着这些问题,对荆浩《匡庐图》进行重新解析,以期对大家有一定的帮助。
As we all know, the Taihang Mountains Hong Valley is the late Tang and Five Dynasties landscape painter Jing Hao seclusion of land, Jing Hao not only created this view of the “Kulu Lu map”, and wrote on behalf of the theory of landscape painting for “calligraphy.” In the “Kulu Lu map” gathered in the art of creation theory, but also reflects his unique expression techniques, was later known as the northern landscape painting masterpiece. So far, the study of Jing Hao’s “Kulu Lu Tu” has been limited to the performance of landscape paintings and appreciation of the work, and seems to have not done too much research on the meaning of “Kuang Lu”. Some scholars think that the scenery depicted in “Kulu Lu” does not conform to the subject, and some think that this work depicts the Taihang Mountains in the north rather than the Lushan Mountain in the south. Some scholars think that Kuanglu Figure is not Jing Hao’s Authenticity ... ... With these questions below, the Jing Hao “Kulu House map” to re-resolve, with a view to have some help to everyone.