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日常生活是现代性问题的表征之一,欲对20世纪文艺与日常生活之关系进行全面考察,“文革”将是一段无法回避的历史时期。革命样板戏同样围绕着现代性焦虑而展开想象与叙述,它是延安文艺“反现代的现代性”这一特征在“文革”期间发展到极致的产物。通过大众的认同与模仿,样板戏欲借助于英雄、情境与统一的形式逻辑等去纯化、表演生活,过滤掉生活中的杂质与龌龊等,严格规范地对人民大众的日常生活进行精心的设计与编排,从而达到既巩固文化领导权,又超越日常生活之平庸的目的。
Daily life is one of the manifestations of the modernity issue. To conduct a comprehensive examination of the relationship between literature and art and everyday life in the 20th century, the “Cultural Revolution” will be an unavoidable historical period. The revolutionary model opera also revolves around imagination and narration of modernity anxiety. It is the product of Yan’an Literature and Art “anti-modernity” developed to the extreme during the Cultural Revolution. Through public recognition and imitation, model opera tries to purify and perform life through the forms of heroes, situations and reunification, and filters out impurities and grudges in life so as to strictly and regularly design the daily life of the public And arrangement, so as to achieve both the consolidation of cultural leadership, but also beyond the ordinary purpose of daily life.