曲的宫调是有声情要求的,不同的宫调表现不同的感情。周德清《中原音韵》说:“仙吕调清新绵邈,南吕宫感叹伤悲,中吕宫高下闪赚,黄钟宫富贵缠绵,正宫惆怅雄壮,……大石风流蕴藉,小石旖旎妩媚,……般涉拾掇坑堑,……商角悲伤宛转,双调健捷激袅,商调凄怆怨慕,……越调陶写冷笑。”但此说还不完全符合实际情况。像小石 Qu Gong tone is a voice requirements, different palace tone different feelings. Zhou Deqing, “Zhongyuan rhyme” said: “Sin Lu Qing fresh cotton wool, Nan Lu Gong lamented sorrow, Zhonggong Lvzhuan flash earned, Huang Zhonggong rich lingering, Zheng Gong melancholy majestic, ... ... stone romantic charm, ... ... usually involved scrape pits, ... ... sad corner of the corner turn, double emphasis on the exhilaration, business miserable grievances, ... ... more tune pottery sneer. ”But this is not entirely consistent with the actual situation. Like a small stone