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在《水浒人物系列》和《三言二拍系列》电视电影作品中,编剧巩向东通过巧妙的构思和精湛的剧作技法演绎了观众耳熟能详的人物和故事。本文从叙事手法和人物塑造两个方面解读了巩向东编剧的《水浒人物系列》和《三言二拍系列》中的部分影片,并着重解析了《水浒人物之母大虫顾大嫂》和《水浒人物之雷横与朱仝》两部作品;从而梳理出巩向东运用剧作技巧的思路和具体过程,希望能够为同类型的剧本创作提供参考而有所裨益。
In “Water Margin People Series” and “San Yan Er Pai Series” series of television and movie works, screenwriter Gong Xiangdong through ingenious ideas and superb drama techniques deduce the audience familiar characters and stories. This article interprets some of the films of “Outlaws of the Marsh” and “San Yan Er Pai Series” in Gong Xiangdong’s screenplay from two aspects of narrative technique and characterization, and analyzes some of the films of “Heroes of the Water Margin” and “Heroes of the Water Margin” The Thunder and the Straight “and” Zhu Tong ". In order to sort out the ideas and specific process of using the skill of drama in the direction of Gong Xiangdong, I hope it can be helpful to provide reference for the same kind of script creation.