一 被世人誉为“文明之母”的印刷术,在我国问世之后,经过唐、宋、元——雕版,活版、朱墨套版的变革,到明代又有了新的发展,套色彩印术不仅在元代双色套印的基础上,增加了套印的版次和颜色,而且还逐渐普及,广为流行。嘉靖(1522—1566年)、隆庆(1567—1572年)间,出现了在信笺上为装饰用的套色印法。明神宗万历(1573—1620年)时,1597年出现了安徽民间用多色套印的年画 After the advent of our country, through the revolution of the Tang, Song, Yuan-engraving, letterpress, and Zhu ink sets, a new development has been made in the Ming Dynasty. A set of color-printing techniques Not only in the Yuan Dynasty two-color overprint on the basis of an increase of overprint version and color, but also gradually popular, widely popular. Between Jiajing (1522-1566) and Longqing (1567-1572), a set of color-printing methods for decoration on stationery appeared. In the Ming Dynasty, Wanli (1573-1620), the New Year’s picture of multicolor overprinted with folk in Anhui appeared in 1597