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在摩洛哥南方马拉喀什城郊“绿洲公园”内,里三层、外三层的人群圈在20多米见方的一块平地周围,兴致勃勃地观看“艺魂附体画”的创作。场子正前方架着一块长10米高2米的白画布,白布两侧坐着十几位舞蹈演员和乐队伴奏者。一位身着白袍、佩戴念珠和咒符的舞蹈演员的上场,揭开了创作的序幕。他踏着三弦琴、响板和鼓演奏的“齐纳瓦”乐曲,手舞足蹈起来。此时画家齐尼登场。他左手提着颜料桶、右手握着一个小水缸,他追逐着
In the “Oasis Park” in the Marocco suburb of southern Morocco, people in the third and the third floor circle around a piece of flat land more than 20 meters square and watch with great interest the creation of the “Art of the Eunuch”. There was a white canvas with a length of 10 meters and a height of 2 meters in front of the venue. A dozen dancers and band accompanists sat on both sides of the cloth. The appearance of a dancer wearing a white robe, a rosary and a mantra kicked off the creation. He marched on the bassist, castanets and drums playing “Zi Nuwa” music, danced up. At this point painter Zini debut. His left hand carrying a paint bucket, the right hand holding a small water tank, he chased