张大壮晚年,一天晚间,张的学生、朋友来了五六个人,话题谈及中国画构图,有人说,物象安置画幅当中,乃构图大忌。大壮先生不以为然,他认为处理得当,仍是一幅好画。于是由闲谈发展成争论,争论到最后,座间众人一致认为:“你张先生既力排众议,就请当场挥毫,如何?”出乎大家意料,张先生一边走向画桌,一边嘟囔:“画就画,有何难哉!”老画师打开砚盖,轻轻地磨墨,在宣纸正当中,用羊毫笔自由地转动出一个汉 Zhang Dayang later in life, one night, Zhang’s students and friends came to five or six people. The topic talked about the composition of Chinese painting. Some people say that the object is placed in a picture frame with a taboo of composition. Mr Dazhuang disagreed. He thinks it is still a good painting if it is handled properly. So from the chat into a debate, arguing to the end, the audience agreed that: “You Zhang force to public debate, please call on the spot, how? ” Surprisingly, Mr. Zhang side of the drawing table Muttering: “Painted on the painting, what is difficult Zai! ” The old artist opened Yan cover, gently grinding ink, in the middle of rice paper, with the slightest free hand to turn out a Han