在德国,音乐创作和音乐学分属两个不同的领域和归属。前者重视音乐实践,侧重技术训练,隶属于音乐学院或艺术学院;而后者则被看成是人文学科,侧重精神领域的研究,归类于综合大学的文科类。它们长期以来平分秋色、各有所长,是德国音乐发展中的两个重要分支。本文以德国当代作曲家、音乐学家为例,针对他们的言论、音乐创作,提出自己的一些看法和思考。 In Germany, music creation and musicology fall into two distinct areas and belongings. The former emphasizes music practice and focuses on technical training, which belongs to conservatories or art colleges. The latter is regarded as a humanities subject, focusing on the study of the spiritual field and classified as a liberal arts college. They have long been divided, each having its own strengths, is the development of German music, two important branches. Taking German contemporary composers and musicologists as examples, this article puts forward some opinions and reflections on their speech and music creation.