近年来,我省戏剧创作不尽如人意,上上下下都很着急。因此,如何抓好戏剧创作,尽快产生有代表性的戏剧精品,就成为今年的一个主要话题。 我们觉得,要抓好戏剧创作,首先要抓人;有人,才有作品。 从全国的状况看,近年来戏剧创作比较活跃,各项国家级戏剧大奖名列前矛的省市,大多与他们有一支稳定的、整齐的、高质量的创作队伍有关;一些原来在戏剧创作上比较沉寂的省市,近年来采取措施,集聚队伍,很快就出人意料地在全国崭露头角,使人刮目相看,这样的例子并不鲜见。 对照我省目前现状,我们的专业戏剧创作队伍近年来老化、衰化、散化,已到了令人触目惊心的程度;省直五大剧团目前没有一名专职编剧,省文化厅也没有一支专职的戏剧创作队伍,不少有戏剧创作能力的同志已封笔改行。全省十六个地市的戏剧创研室,有些已名存实亡,仅留下空壳;有些人员尚存,但由于种种困难,已无法进行正常的戏剧创作活动;大多数地市创研室五年来没有补充新的戏剧创作人员,队伍严重老化;能够达到老、中、青相结合,队伍比较整齐的戏剧创研室,在全省只有两三个。就是这样一支几近溃散的队伍,也没有得到充分的组织和重视,五六年来,我省没有组织过一次戏剧创作人员出省观摩,也没有组织过一次认真的专业培训和进修学习。绝大多数时候,我省? In recent years, the creation of drama in our province is not satisfactory, and we are in a hurry up and down. Therefore, how to do a good job in theater creation and produce representative drama titles as soon as possible has become a major topic this year. We think it is necessary to arrest people if we want to grasp drama creation well. Some people only have works. Judging from the situation in the whole country, dramatic writing has become more and more active in recent years. Most of the provinces and municipalities that have won the national theater awards are mostly related to their stable, neat and high-quality creative team. On the relatively quiet provinces and cities, measures have been taken in recent years to gather teams and unexpectedly emerge in the country with impressive results. Such examples are not uncommon. In contrast with the current situation in our province, our professional drama creation team has aged, deteriorated and dispersed in recent years. It has reached an alarming level. There is currently no full-time screenwriter in the five provincial theater corporations, and the provincial department of culture does not have a full-time Drama creation team, many of the creative ability of comrades have written a resignation. Some of the drama research rooms in 16 cities and prefectures in the province have existed in name only and only leave empty shells. Some of them still exist, but due to difficulties, they have been unable to carry out normal drama creation activities. Most of the cities In recent years, there has been no addition of new theater crews and the ranks have been seriously deteriorated. Only two or three theater research units can be established that combine the old, the middle and the young and the ranks are relatively neat. It is such a team that is almost collapsing and has not been adequately organized and valued. In the last five or six years, there has been no organized drama creation personnel in the province to observe the province, nor did we organize a serious professional training and further study. Most of the time, our province?