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存在主义文艺流派诞生于本世纪三十年代末四十年代初的法国,其主要代表是让—保尔·萨特和阿尔贝·卡谬。萨特的戏剧创作始于一九四二年,至六十年代中期止,他共创作了十多部剧本,主要代表作有《苍蝇》(1942)、《密室》(—译《禁闭》,1944)、《死无葬身之地》(1946)、《可尊敬的妓女》(1946,曾被改编为电影《被侮辱与被损害的人》,我国曾公演过)、《肮脏的手》(1948)、《涅克拉索夫》(1951)等。卡谬从三十年代末开始,陆续创作过《卡里古拉》(1938)、《误会》(1943)和《正义者》(1950)等在存主义剧本。
The existentialist genre was born in France in the late 1930s and early 1940s. Its main representatives are Jean-Paul Sartre and Albert Cacmud. Sartre’s dramatic work began in 1942 and until the mid-1960s. He composed more than a dozen plays and the main representatives were Flies (1942), Chamber of Secrets (1944) (1946), The Venerable Prostitute (1946, adapted into the movie “Insulted and Impaired”, My Country Has Performed), “Dirty Hands” ( 1948), Nekrasov (1951) and others. From the late 1930s onwards, Cácki has successively created exodus scripts such as “Caglioglu” (1938), “Misunderstanding” (1943) and “Justice” (1950).