上世纪五十年代末,在中国笛坛,有一位青年竹笛演奏家异峰突起,如歌的旋律与中国竹笛南派、北派的风格大相径庭。他的演奏风格充满激情与新时代的气息,令人耳目一新。他用按半孔的方法来演奏有变化音的中外乐曲,用独创的指法来演奏超吹高音的特殊技艺,使中国竹笛演奏艺术上升到一个新的境界,在中国笛坛上独树一帜。人们很难将其的演奏风格划归到“南北两派”风格之中,于是就把这种演奏风格以他的名字来命名。这位演奏家就是刘森先生。刘森先生当年演奏的《牧笛》《山村小景》《小放牛》《山歌》《云雀》《霍拉舞曲》等,经历了半 In the late fifties of last century, a flute of bamboo flute in China was found in the flute altar of China. The melody of melody is quite different from that of the south school and the northern school of Chinese bamboo flute. His performance style is full of passion and a new era of breathtaking refreshing. He used a half-hole method to play Chinese and foreign songs with changing tones. He used unique fingering to play the special skills of ultra-blowing treble so that Chinese bamboo flute playing art rose to a new level and became unique in the Chinese flute. It is hard for people to classify their playing style into “North and South factions” style, so this performance style is named after his name. The performer is Mr. Liu Sen. Mr. Liu Sen played the “pastoral flute” “small village scene” “small cow” “folk song” “skylark” “Hora dance” and so on, experienced half