谢克英的《南国风情》以一棵大榕树为主体布局,用岭南盆景的“蓄枝截干”、“大飘枝”等特有技法、枝法,结合苏派、海派的造型风格,采用福建、台湾榕树盆景塑造根盘的手法创作而成。你看,它盘根交错虬曲,有藏有露,有疏有密,有如群蛇蠕动,生动自然舒畅;其树干弯曲柔顺,往左倾斜,特别是树干的左边伸出一条大飘枝,凌空飘荡,摇摇曳曳,有如临风起舞,倍添动感,更显自然潇洒,婀娜多姿。其枝繁叶茂,郁郁葱葱,犹如南国村头塘边的一棵百年古榕,散 Xie Keying’s “Southern style” takes a large banyan tree as the main body layout and uses the unique techniques such as “branch sticking”, “big branch sticking” Style, using Fujian, Taiwan banyan root bonsai creation of the creation of the way. You see, it interlaced zigzag winding, possession of dew, sparse and dense, like a snake crawling, vivid and natural and comfortable; its trunk soft and curved, leaning to the left, especially the left of the trunk sticking out a large branches, Volley volley, shaking and dragging, as the temporary wind dancing, times dynamic, more natural and graceful, graceful and colorful. Its flourishing, lush, like the southern village of Tau pond a hundred years old banyan, scattered