关注家庭,关注成长,关注大千世界中的平凡个体的情感世界,日本导演是枝裕和的电影总能在平凡小事中给观众传递动人心弦的温柔力量。如《幻之光》、《如父如子》、《步伐不停》、《海街日记》等影片,皆因影片叙事流畅、情感把握细腻为人津津乐道。是枝裕和始终关注传统家庭中父子、夫妻、手足间情感世界,在朴素的影像记录下是导演始终坚持的人文关怀。 Concerned about the family, concerned about growth, concerned about the world of ordinary people in the emotional world, the Japanese director is the film and the general branch Zhiyu ordinary small events in the audience to send a touching and gentle force. Such as “magic light”, “such as the father like a child,” “non-stop pace,” “Street Journal” and other films, all because of the narrative fluent film, emotional grasping people relish. It is Tsuneo Hiroyuki who always pays close attention to the father-son, husband and wife in the traditional family and the emotional world between hands and feet. Under simple video recording, it is the humanistic concern that the director always insists.