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李斯撰写的刻石文,采用的是以六为纪的结构模式。三句一节的作品六篇,三十六句的作品每篇六章,七十二句的作品每篇六段,所有作品均是每章六句,押韵也以六为基本单位。李斯刻石文以六为纪的结构模式,与秦朝的数字崇尚直接相关。秦朝以水德配六,李斯的这种观念也由来已久,根深蒂固,并把作为外部规范的以六为纪内化为作品的结构模式。李斯的刻石文法度森严,具有鲜明的法家特色,它主要不是体现于辞气,而是在结构模式方面显示出来。李斯刻石文的结构模式以六为纪,同时以三句一节为基本的结构单元。这种结构原型可以追溯到《周易》本经和《诗经》。元结的《大唐中兴颂》沿袭三句一节的结构模式,它和李斯的刻石文均成为碑铭作品的绝响。
Inscribed stone inscriptions by Li Si, is based on the structural model of six. Six works in three sentences, six in thirty-six works and six in seventy-two works. All the works are six sentences per chapter, with six basic units of rhyme. Lisi inscriptions on stone with six as the mode of construction, and the Qin Dynasty figures directly related. This idea of water and gas distribution in the Qin Dynasty also has a long history and deep-rootedness. As an external normative model, the internal structure of Liu Zhongji into works is taken as an external standard. Lisi’s carved stone with strict grammar, with distinctive characteristics of the Legalists, it is not mainly reflected in rhetoric, but in terms of structural patterns revealed. Lisi stone inscriptions of the structural model to six as a discipline, at the same time to three sentences as a basic structural unit. The prototype of this structure can be traced back to the Book of Changes and the Book of Songs. The meta-structure “Datong Zhongxing Song” follows the structural pattern of the three sentences and one, and it is the perfect fame of Lisi’s inscribed stone inscriptions.