《遍地白花》是对淳美故乡的艺术还原与再现,其创作过程也是作家的一次精神还乡之旅。小说通过女画家到乡村写生的故事,形象地阐发了刘庆邦对于乡土、人性、艺术的理念。其中有对乡土风物、乡民悲欢、淳美人性的主动寻觅,也有对眷恋故土,追寻艺术之美,通过艺术进行精神补偿等自我创作心理的剖示。 “White everywhere” is the art restoration and reproduction of the hometown of Atsumi, and the creative process is also a journey of spiritual return of the writer. The novel depicts the story of Liu Qingbang on native land, human nature and art through vivid pictures of female painters in rural areas. Among them are the initiative to search for native customs, joys and sorrows of the villagers and Chun-hui humanity as well as self-creation mentality such as the attachment to the homeland, the pursuit of the beauty of art, and the spiritual compensation through art.