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时下的中国戏剧界,演出院团不可谓不多,演出剧目不可谓不多,看戏观众不可谓不多,各种戏剧节、艺术节不可谓不热闹。可是,如果你有幸遍览各地剧院剧团演出的剧目,渐渐你就会发现,尽管剧目不少,获奖剧目繁多,媒体宣传琳琅满目,但它们呈现的演出样式、导演风格、舞台体现,都大同小异,有一种趋同倾向,大有一种全国演出一统化的感觉。这就不是什么好事,而是中国戏剧艺术的不幸。因为谁都知道,艺术贵在个性,贵在创新,贵在自身品格。然而,中国戏剧界正在远离它们,对它们已经十分陌生了。
Nowadays the Chinese theater industry, the performing theater regrettablly, the acting repertoire is very small, the theater audience is quite small, various theatrical festival, the festival can not be without hilarity. However, if you are lucky enough to go through the shows performed by theatrical troupes from all over the world, gradually you will find that despite the large number of repertoire, award-winning repertoire, media coverage, but they show the style of performance, director style, stage are similar, there is a The trend of convergence tends to be greatly unified by the national performance. This is not a good thing, but the misfortune of Chinese theater art. Because everyone knows that art is more personal, more expensive, more creative. However, the Chinese theater industry is moving away from them and is already quite new to them.