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从具象到抽象、从内容到形式,当人们日益寻求出书法那独特的表象内容时,无不为其中存在着一种最古典但又最现代的统一体感到惊愕,最传统的书法中经常包含了一种典型的西方世界潮流的追求。如果说,前几篇的讨论都立足于书法作为对象的前提,那么最后一个工作,则应该研究一下在创作与欣赏过程中主客体之间的主次关系——研究一下作为创作者的人的价值和位置。
From the figurative to the abstract, from the content to the form, when people are increasingly seeking out the distinctive representational content of the calligraphic, they are always amazed at one of the most classical but most modern relics. The most traditional calligraphy often contains A Typical Pursuit of the Western World. If the first few discussions are based on the premise that calligraphy serves as an object, then the last task should be to study the primary and secondary relationships between subject and object in the process of creation and appreciation - to examine the person who is the creator Value and location.