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当我十三岁刚开始学艺时,昆曲名家徐凌云老先生、名丑华传浩老师的许多昆丑的代表作,是那样吸引着当时还不很理解昆剧艺术的我。王传淞老师在《十五贯》里塑造的、尽人皆知的娄阿鼠,《狗洞》里的鲜于佶,《相梁刺梁》里的万家春以及《写状》里的贾主文等,这一个个人物形象,是那样的生动、鲜明,使我久久不能忘怀。如此高超的艺术所产生的感染力,使我对王老师倍加敬慕。也正因为这个缘故,我对学习昆剧副、丑戏的兴趣越来越浓,并且暗下决心,一
When I was just thirteen, I learned a lot about the art of Kunju Opera from Kunqu Opera, the famous master of Kunqu Opera, Mr. Xu Lingyun, a famous master of Kunqu Opera. Wang Chuan Song teacher in the “fifteen consistent” in the shaping, the well-known Lou mouse, “dog hole” in the fresh, the “Xiang Liang barbed beam” in Wan Jiachun and “write” in the Jia Zhu Wen, etc. A personal image, is so vivid, distinct, so I can not forget a long time. The superb art of the infectious, so that I am more adorable Wang. It is also for this reason, I am more and more interested in learning Kun opera vice, ugly play, and darkly determined, one