在以往的新疆艺术与文化研究中,更侧重民族学诉求中对某一少数民族传统艺术文化特性与品质的挖掘,讨论古代和传统材料较多,而对现当代新疆“多元一体”文化结构中的材料关注较少;以往的研究在强调地域性、民族性的同时,也容易给人造成了新疆现代文化形象是由某少数民族文化独自构建的误解。而本选题正是着力于反思对新疆文化形象过于单一的解释。通过构建新疆形象的各种图像,分析挖掘民、汉各族人民和不同文化模式在新中国以来交互认同走向多元共建的历史事实,既是课题的理论诉求也是其理论价值所在。 In the study of Xinjiang arts and culture in the past, more attention was paid to the excavation of the traits and qualities of traditional arts and culture of a certain ethnic group in the ethnological appeal. More discussions were made on the ancient and traditional materials. However, the modern and contemporary “multi-entity culture” The material in the structure is less concerned; while the previous researches emphasize the regional and nationality, it is also easy to cause the misunderstanding that the modern cultural image in Xinjiang is constructed by a certain ethnic minority culture alone. This topic is focused on reflection on Xinjiang’s cultural image is too single explanation. Through constructing all kinds of images of the image of Xinjiang, it is not only the theoretical demand but also its theoretical value to excavate the historical fact that the mutual approval of people, people of all nationalities and ethnic groups and different cultural patterns in New China are going to be pluralistic.