《文艺报》编辑、评论家刘颋:(1)在大多数人的认识中,都存在着一个真实的西藏和一个想象中的西藏,而对于藏地的文化风情往往停留在想象层面。藏地书写,既有想象层面的东西,也有现实中的深刻抒写。所以说,藏地作家具有先天优势,可以作深入书写。(2)塑造一个地方的文化自信,需要持续关注的目光。藏地与边地始终是双中心状态,每个边地都是中心的补充和延伸。既是文化自觉,也是与生俱来 Liu Wen, editor and critic of Wenxi Bao: (1) In most people’s understanding, there exists a real Tibet and an imaginary Tibet. However, the cultural customs of the Tibetan areas tend to stay at the level of imagination. Tibetan writing, both the imagination level of things, but also the reality of profound expression. Therefore, Tibetan writers have inherent advantages that can be written in depth. (2) Creating a cultural confidence in a place requires constant attention. Tibet and the borderlands are always dual-centered and each side is a center of complement and extension. Both cultural awareness, but also innate