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20世纪中国现当代戏剧史上出现了三部为历史人物武则天翻案的历史剧作品,分别是宋之的创作于1937年、田汉创作于1947年、郭沫若创作于1960年的同名《武则天》剧本。宋之的、田汉笔下的武则天形象地体现了20世纪30—40年代中国文坛文学创作的历史观和女性观,是女性意识在中国本土流变的一个节点;而郭沫若笔下的武则天形象,是考察十七年时期女性主义发展的另一重要参照,通过对三部作品中武则天形象的比较分析,可以看出中国的女性解放走过的误区和留下的历史空白。
In the history of modern and contemporary Chinese drama in the 20th century, three historical play pieces emerged as the historical figures Wu Zetian. They were Songzhi’s creation in 1937, Tian Han’s creation in 1947, and Guo Moruo’s 1960 novel “Empress Wu Zetian”. Song Zhi’s and Tian’s writings Wu Zetian vividly embody the historical and feminist views of the literary creation in the Chinese literary world from the 1930s to the 1940s and are a node in the evolution of female consciousness in China. The image of Wu Zetian, written by Guo Moruo, Another important reference for the development of feminism during the 17 years is a comparative analysis of the images of Wu Zeti in the three works, which shows the erroneous areas left by the liberation of China and the historical gaps left by it.