北宋阮阅的《诗话总龟》开中国古代诗话以事为纲之先河,其中“狂放门”的出现,标志着“狂”在文学理论中获得相对明显的独立地位,正式成为美学理论中的一个范畴。阮阅并没有在自己的诗话中对北宋以前“狂放”诗人做点评和阐述,但其将“狂放”列为一门,并选北宋以前12家诗人之诗之事,是暗含其深刻的美学倾向的。以阮阅的《诗话总龟》为文本依托,探究“狂放”的美学内涵,并加以分类阐述,最后分析了《诗话总龟》中“狂放”和后世“狂放”之间的差异及其原因,即当时的社会背景、历史文化背景不同。 The appearance of “Wild Door” symbolizes that “madness” has relatively obvious independent status in literary theory and officially becomes the “ A category in aesthetic theory. Nguyen did not comment or elaborate on his ”Wild “ poet in his poetry before, but he listed ”Wild“ as one of the twelve poems before the Northern Song Dynasty and implied that Its profound aesthetic tendencies. Based on Ruan read ”poetry and total turtle“ as the textual basis, explore the aesthetic connotation of ”wild “ and classify it, and finally analyze the ”wild“ and ”later" The differences and their causes, namely the social background at the time, have different historical and cultural backgrounds.