我出身戏曲世家,祖父唱小戏(俗称“跑台子”)即“木偶”,父亲肖筮易,是陕西易俗社青衣演员,我唯一的儿子也正在西安市艺术学校秦腔班进修艺业。我三十年代就跟父学艺,曾有“八岁红”之誉,群众这样赞励自己,实际上我在秦坛享名时,已有十一岁了。1949年以后,经过1952年的北京首届会演,1953年的4月——9月的朝鲜火线演出,嗣后的多次北京会演,巡演全国十三省市以及拍摄《火炎驹》、《三滴血》影片,使我悟觉到过去的舞台表演是演我自己(或说表现自我)不是角色(人物);是卖弄浅显的程式技巧,谈不上艺术,更何言其深度、美学欣赏啊!现在我逐渐明白无情就无戏,情赖人表达,尤其戏 I was born in a family of opera, grandfather sing a little play (commonly known as “running the stage”) that is “puppet”, his father Xiao Yi Yi, is an actor in Shaanxi Yixiu She Tsing Yi, my only son is also Xi’an Chamber of art Qin chamber classes art. My thirties, just like my father’s art, had the reputation of “eight-year-old red”, the masses like to encourage myself, in fact, I enjoyed the age of 11 in the Qin altar. After 1949, after the first inaugural concert in Beijing in 1952, the North Korean firework in April-September 1953, many performances later in Beijing, the thirteen provinces and cities nationwide, and the filming of “Huo Yan Ju” and “Three Blood Drops” "The film made me realize that the stage performances of the past are acting myself (or expressing myself) not characters (characters); it is to show off superficial procedural skills, not to mention art, to speak its depth, aesthetic appreciation! Now I gradually understand that there is no reason to be ruthless, relying on people to express, especially drama