版画在艺术市场中的境遇远远不如国画和油画,版画家的生活条件和物质基础也远远不如国画家和油画家。人们通常所说的国油、版、雕,若从经济状况而言,版画大概是最末一位。但版画界并非因市场的不景气而停止艺术探索,恰恰相反,版画创作的成就相当大,版画家的韧劲也相当突出。本期名家郑爽就是一位有韧劲的女性版画家。读她的画和她的文,透过那清新隽永的韵味可体会到心灵深处的顽强和坚韧。 尚平君的短文很值得一读,画家的“心语”确有闪光点。金甲镇、陈航、张小琴、茅林、孙黎、张洪亮、刘一菱、陈英俊等画家一边画画,一边思索问题。在繁忙的出版工作之余坚持创作的程大利和退休后焕发青春的尚连璧的作品,更会给大家许多的启发。 Printmaking in the art market situation is far less than the traditional Chinese painting and oil painting, printmaker’s living conditions and material base is far less than the country painter and oil painter. People usually referred to the national oil, version, carving, if from the economic situation, the print is probably the last one. However, the art industry is not trying to stop the exploration of art because of the downturn of the market. On the contrary, the achievements of engraving have been quite substantial. The painter’s tenacity is also outstanding. Current issue of Zheng Shuang is a tenacious female printmaker. Reading her paintings and her essay, through that fresh and meaningful charm, I can feel tenacious and tenacious in my heart. Shang Pingjun’s essay is worth reading, the painter’s “heart language” really flash point. Jin Jiazhen, Chen Hang, Zhang Xiaoqin, Mao Lin, Sun Li, Zhang Hongliang, Liu Yiling, Chen Yingjun and other painters while painting, while thinking about the issue. Cheng Dali, who insisted on creating after a busy publishing career, and Shang Lianbi, a youthful youth who retired from his work, will give much inspiration to everyone.