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本文以平遥大戏堂“晋商乡音”的演出为研究对象,贯穿两个问题的讨论,一是揭示被遮蔽的普通观众的真实经验,二是探讨音乐美学如何更为有效地面向现实问题。本文引入笔者认同的杜威的“经验”理论,从其“经验”概念的非认知性、连续性和整体性,动态满足等特点受到启发,展开对平遥大戏堂演出这一实践活动的美学阐释。
This article takes the performance of Pingyao Grand Theater “Jin Merchants ” as the object of study, which runs through the discussion of two issues. The first one is to reveal the real experience of the masked general audience. The second is to explore how the music aesthetics can be more effective towards the reality . This article introduces author ’s Dewey “experience ” theory, Inspired from its “experience ” concept of non-cognitive, continuity and integrity, dynamic satisfaction and other characteristics, Aesthetic Interpretation of Activities.