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当高尔基提出“文学即人学”的命题之后,很多作家都尝试着围绕这一命题所蕴涵的人文内涵进行创作。在为世界文学的发展作出巨大贡献的同时,文艺理论工作者也对此展开过广泛而深入的讨论。虽然对这一命题的精确出处并没有形成统一的认识,但我们必须承认的一点是,“文学即人学”的确深刻影响了中国文学自20世纪50年代以来的历史走向,并一直延伸至当下的中国文学。20世纪80年代以来的“大写的人”的消解以及大众文化的迅速崛起也成为促使我们认真思考这一问题的关键性外在因素,在市场经济因素的主导之下,文学一度偏离了自己的发展方向,诞生了一批并不符合“文学即人学”命题审美内涵的作品。一、人学视野下的文学创作笔者无意于深入探究高尔基是否提出过“文学即
When Gorky put forward the proposition of ”literature is humanity“, many writers try to create around the humanistic connotation of this proposition. While making great contributions to the development of world literature, literary and art theory workers also conducted extensive and in-depth discussions. Although the precise origin of this proposition does not form a unified understanding, we must admit that ”literary as humanity“ does profoundly affect the historical trend of Chinese literature since the 1950s and extend it all the time To the moment of Chinese literature. The dissolution of ”capitalist“ and the rapid rise of mass culture since the 1980s have also become the key external factors that prompted us to seriously consider this issue. Under the guidance of the market economy, literature has deviated from Own direction of development, the birth of a number does not meet ”literature that is human “ proposition aesthetic content of the work. First, the humanities literature under the field of vision I do not intend to explore in depth whether Gorky has made ”literary