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现代漆画作为一个新兴画种,就其工艺性绘画性的双重性质,加之艺术的多元发展,它在视觉语言的表达方面与设计艺术的存在着很大的互通性,质料语言与设计语言的互通,绘画形式美与质感美的互通等等。灰料作为现代漆画中一种主要用于制底的质料,其审美特征不再是简单本质肌理,而是材料的内在特性给予艺术家表达情感思想的启发,对于灰料视觉语言的探索还有广阔的空间,本文结合漆画与艺术设计的相关理论,通过对灰料质料视觉审美特征的分析,进而探索漆画灰料质料语中所蕴含的独特的视觉语言。
As a new kind of painting, modern lacquer painting has much interoperability with design art in the aspect of visual language expression, in terms of the dual nature of its artistic drawing and the multi-dimensional development of art. The material and design languages Interoperability, the beauty of painting and the beauty of the United States and so on. As a kind of material which is mainly used for the system bottom in modern lacquer painting, the aesthetic characteristics of the gray paint are no longer the simple essence texture, but the inherent characteristics of the material give the artist the inspiration to express the emotional thoughts. As for the exploration of the gray matter visual language In this paper, based on the related theories of lacquer painting and art design, through the analysis of the visual aesthetic features of gray material, this paper explores the unique visual language contained in the gray matter material of lacquer painting.