朱践耳的作品扎根于中国传统音乐,同时结合了二十世纪西方序列技法。他的序列技法与勋伯格不同,是自由序列音乐,同时选择带有五声性的序列主题。他的实践可被视为中国作曲家探索民族化新音乐的有效尝试。《朱践耳创作回忆录》以时间为线索,记述了作曲家走上音乐创作道路的 Zhu Jian’er’s work is rooted in traditional Chinese music and incorporates the techniques of the Western sequence of the twentieth century. His sequence technique is different from Schoenberg’s, is free-sequence music, with a choice of five-character sequence themes. His practice can be regarded as an effective attempt by Chinese composers to explore new nationalized music. “Zhu Jiantai creation memoirs” with time as a clue, describing the composer embarked on the road to music creation