扬州漆器历史悠久,长盛不衰。在扬州出土的战国墓葬中,就发现了彩绘圆形漆盘。专家论证,扬州是我国木胎漆器的发源地。唐代的扬州,能工巧匠云集,漆器手工业更加发达。“剔红”雕漆和金银平脱漆器的出现,使漆工艺面貌一新。适应铜镜工艺的发展,螺钿镶嵌工艺达到高水平。扬州漆器成为唐代的重要贡品。唐玄宗和杨贵妃曾多次将扬州所贡金银平脱等名贵漆器赐给安禄山和其他臣僚。天宝十二年,鉴真东渡,把扬州漆器的精湛技艺带到了日本。宋代的扬州漆器,以雕漆成就为高。至元代,扬州已成为全国的漆器制作中心。明清两代是扬州漆器历史上的全盛时 Yangzhou lacquer has a long history, long lasting. In the Warring States Period unearthed in Yangzhou tombs, found a painted round lacquer disk. Expert proof, Yangzhou is the birthplace of China’s wood tire lacquer. Yangzhou in the Tang Dynasty, skilled craftsmen gathered, lacquer handicrafts more developed. “Picked red ” carved lacquer and gold and silver flat paint off the emergence of the new paint process. Adapt to the development of copper mirror technology, snail mosaic technology reached a high level. Yangzhou lacquer became an important tribute to the Tang Dynasty. Emperor Xuanzong and Yang Concubine gave Yang Lushan and other bureaucrats several lavish lacquer wares such as gold, Twelve years Tianbao, Jiande Dongdu, Yangzhou lacquer craftsmanship brought to Japan. Yangzhou lacquer ware of the Song Dynasty was of high achievement in carving lacquer. To the Yuan Dynasty, Yangzhou has become the country’s lacquer production center. The Ming and Qing dynasties are the heyday of Yangzhou lacquer ware history