舞蹈无非就是我们对时间空间的运用。简单说,就是对节拍和角度的取舍而产生出来的感情张力和故事的包容性。情绪舞蹈基本上以个别情感为抒发点,以不同角度不同模拟状态而充分展示。情节舞蹈绝对以人物、剧情阐释主题动机,以相对的多角度的提示相关主题。舞蹈创作的现代意识,改变了编舞中的创作方法,由编导构思编排舞蹈语汇转变成演员共同参与创作。从而打破了演员只按照导演设计的动作去舞蹈的被动局面。新的创作方法给舞蹈演员提出了新的课题,这 Dance is nothing more than our use of space. In simple terms, it is the emotional tension and the inclusiveness of the story produced by the selection of beats and angles. Emotional dance is basically based on individual emotions as a point of departure, with different perspectives and full simulation of different states. Plot dance absolute character, story motivation to explain the theme, with a relative multi-angle tips related topics. The modern awareness of dance creation has changed the method of creation in choreography, and the choreographer choreographed the dance vocabulary into actors participating in the creation. Thus breaking the actor only in accordance with the director’s design to dance to the passive situation. The new method of creation poses new topics for dancers