论文部分内容阅读
吴宽所书题跋,有部分是用诗文形式,一般在书画上作诗,内容多为描绘作品内容,或赞颂作者事迹的。比如顾恺之的《洛神图》有跋诗云:仙妃不可即,洛水遥相望。手持青芙蓉,游戏水中央。金翠耀陶饰,木难缀明增。飘飘白雪据,荡濠青霓裳。人神本珠道,条忽登北堂。鸠然故玉齿,气若幽兰香。冯夷与海若,左右更举觞。洛水讵可测,人寿安能量。云轩期再来,少隔轼千霜。成化庚寅春三月长洲吴宽。(引)此五言诗将画面内容表述详尽,由整体到局部,再由局部到整体,过度自然,条理清晰,
Written and written by Wu Kuan, some of them are in the form of poems and poems. They usually make poems on calligraphy and painting, mostly depicting the content of the works or praising the deeds of the authors. Such as Gu Kai’s “God of Luoshen” postscript poem: Xian Fei can not, Los water away from home. Handheld hibiscus, the game water central. Jin Tsui Yiu Tao ornaments, wooden embellishment Mingzeng. Fluttering white snow, swirling ho blue clothes. Human decency of the bead, suddenly found the North Hall. Jiuran Jade teeth, if the gas if you orchid incense. Feng Yi and Hai Ruo, so even more 觞. Luo Shuizhu measurable, life safety energy. Yun Xuan period again, less Shi Shi cream. Chenghua Geng Chun March Changzhou Wu Kuan. (Cited) This five-character poem described in detail the contents of the screen, from the whole to the local, and then from the part to the whole, overly natural, clear,