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龙瑞是一位与时俱进、具有文化前瞻性的画家,他从不同的角度与侧重点表述了“贴近文脉,正本清源”的学术观点,强调中国画的设色要有中国文化的特色,希望贴近传统文脉进而完成中国画设色从传统向当代的转换。基于这样的追求,龙瑞在有效借鉴传统中国画设色的基础上,致力于吸收西方绘画的色彩与光影技法的审美体系,探求山水画设色元素自身的变化,并通过艺术实践来证实学术观点的正确性以及它理论价值与创新改变的意义。
Long Rui is a progressive, culturally-looking painter who expresses the academic point of view of “close to the context, original source” from different perspectives and emphasizes the importance of Chinese culture Characteristics, hoping to close to the traditional context and thus complete the Chinese painting color from the traditional to the contemporary conversion. Based on this pursuit, Longrui, based on the effective reference of the traditional Chinese painting and coloring, devoted himself to absorbing the aesthetic system of the color and light and shadow techniques of Western painting, exploring the change of the color elements of the landscape painting itself, and confirming the academic viewpoint through artistic practice Correctness and the significance of its theoretical value and innovation change.