一、前言在开始正文的讨论以前,我们有必要对“戏曲”这一独特的艺术形式进行一番思考。长期以来,学术界基本是两种观点:一是把戏曲神化,一是把戏曲鬼化。神化说主要讲戏曲万能,国粹之粹,莎士比亚的,布莱希特的,格罗托夫斯基的,应有尽有,而且“早在何时何地、哪出戏中”就... I. Preface Before starting the discussion of the main text, it is necessary for us to think about the unique art form of “opera”. For a long time, there are basically two kinds of views in academia: one is deifying drama and the other is demonizing drama. The deification is mainly about the universal opera, the quintessence of national essence, Shakespeare, Brecht, and Grottovsky, and everything “where ever and when is the play” ...