静观当代展厅书法作品,我们再也很难找到一件纯粹白纸黑字的书法作品了,触目所及的尽是缤纷的色彩。难怪有人如此调侃:当代的书法作者都是一群好“色”之徒。书法创作并不排斥色彩的运用,但需运用有度。比如,传统的书法创作一开始几乎只有两种颜色,即黑与白。黑的是墨,白的是纸。白与黑形成强烈的对比; To contemplate the contemporary calligraphy works in exhibition halls, it is hard to find a calligraphic work that is purely black and white. It is all about striking colors. No wonder some people so ridicule: contemporary calligraphers are a bunch of good “color” of the people. Calligraphy does not exclude the use of color creation, but need to use a degree. For example, the traditional calligraphy at the beginning of almost only two colors, black and white. Black is ink, white is paper. White and black form a strong contrast;