现代性背景下,乡土是众多作家从事小说创作的重要情结之一。回族青年女作家马金莲为读者重塑了回族的乡土世界。她用本色书写的方式解除了乡土女性身上的现代性枷锁,借儿童视角叙事寻找游离于现代性宏大叙事之外的民间叙事的可能,使被规约在现代性叙事视野中的乡土恢复本来的面目,呈现出淳朴温馨的一面。她书写了一个美好的乡土乌托邦作为对现代性的反抗,这是她选择性地重构“过去”的结果。但需要思考的是,面对无可争辩的现代性事实,一味地退缩到前现代的乡土世界并不是理性的行为,我们要从自身的生存境遇出发,勇敢地面对现代性探索新的文学创作发展道路。 Under the background of modernity, the native land is one of the most important complex of many writers engaged in the creation of novels. Ma Jinlian, a young Hui woman writer, remolded the native Hui nationality for readers. By way of color writing, she removes the shackles of the modernity of the native women, looks for the possibility of separation from the narrative of the grand narrative of modernity through the narrative of the children’s perspective, and realizes the original appearance of the native land regulated by the narrative in the field of modern narrative , Showing a simple and warm side. She wrote a beautiful native utopia as a resistance to modernity as a result of her selective reconstruction of “past”. However, it is worth considering that in the face of indisputable facts of modernity, it is not a rational act to blindly retreat to the pre-modern local world. We must proceed from our own circumstances of existence and bravely face the modernity to explore new literature Creative development path.