日本战后派作家大冈升平一直以揭露战争的罪恶、抚慰逝者的灵魂为己任进行创作。《武藏野夫人》和《花影》是他恋爱小说中的代表作,两部作品分别塑造了温柔贤淑的人妻道子和看似放荡庸俗、内心单纯善良的叶子。尽管不能改变她们的悲剧命运,大冈通过自己的创作为她们谱写出一曲曲镇魂曲,抚慰她们逝去的灵魂。而大冈升平这种创作的源泉正是自己的母亲。 Japanese post-war writer Okaoka Masayoshi has always been to expose the evil of war, to soothe the soul of the deceased as its own responsibility to create. “Musashi Musashi” and “Flower Shadow” are his masterpieces in his love novels. Both of them have shaped the gentle and virtuous wife and child and the seemingly libertarian and pure-hearted leaves. Although they can not change their tragic fate, Okaoka through their own creation for them to write a song town soul song, soothe their lost soul. The origin of such a creation is the mother of Ozawa.