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言情本体观的基本内涵包括三个方面:抒情主体的情感体验;自然客体的背景预设;抒情文本的超越性解读。在抒情主体的言情本体观影响之下,形成了晚唐五代时期的“她者”抒情形象,北宋时期的“自我”抒情形象和南宋时期的“共他”抒情形象。唐宋词人审美心理的复杂性在这一基础上进而体现出来,无论是在审美经验的积累上,还是在时代背景、个性诉求上都得到彰显。
The basic connotation of the concept of romance includes three aspects: the emotional experience of the lyric subject; the background presupposition of the natural object; the transcendental interpretation of the lyric text. Under the influence of the main body of romance, the formation of the lyrical image of “her ”, the “self ” lyric image in the Northern Song Dynasty and the “common” lyric image in the Southern Song Dynasty. The complexity of the aesthetic psychology of the Tang and Song Ci-poets is further reflected on this basis, both in the accumulation of aesthetic experience and in the background of the times and the appeal of individuality.