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本文追溯西方“情境”学说本源,重点还是探讨一个戏剧概念问题,它和当今国内戏剧的发展趋势当然有一定的连锁关系。如果说“情境”是戏剧的中心问题,现代主义戏剧正是试图破除围绕情境而形成的现实主义的戏剧观和表现手法,并进行了大胆的尝试,但对于戏剧的本体学说,情境论是永远无法绕过去的,所以有必要把这一概念性的东西弄清楚。也有利于现代戏剧的多方位探索和进步,有助于戏剧的理性发展和形式的创新。
This essay traces back to the origin of the western “situational” theory, and focuses on the concept of a drama. It has, of course, a chain relationship with the trend of domestic drama today. If “situation” is the central issue of drama, modernist drama is trying to get rid of the realist drama and performance tactics formed around the situation and make a bold attempt. However, for the ontological theory of drama, the situation theory It will never be able to get around, so it is necessary to clarify this conceptual thing. But also conducive to the multi-directional exploration and progress of modern drama, contributing to the rational development of drama and the form of innovation.