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有足够的理由让我们对张敏杰二十多年的绘画历程做一次回望。这么说是因为在当代画坛,很少有人像他那样保有着旺盛的创作力和艺术才能,他在版画、油画、雕塑、壁画四个艺术门类打通跨越,创作的作品足以构成一次饱满的展示,印证着张敏杰作为创作主题的精神自觉和具有的学术意义。确切的说,张敏杰的所有作品都是根据自己生命体验和视觉感受,寻找传统文化、地域文化与现代文化的切入点,试图通过生命意识和文化个性,用心灵触摸现实生活的质感,追寻一种流逝的生命遗痕,以显现其特有的人文价值。
There are good reasons for us to make a look back on Zhang Minjie’s painting history of more than 20 years. This is because in the contemporary art scene, very few people maintain the strong creative power and artistic ability as he did. His works in the four art categories of prints, oil paintings, sculptures and murals are enough to form a full-fledged exhibition. It confirms Zhang Minjie’s spiritual consciousness and academic significance as the creative theme. Specifically, all of Zhang Minjie’s works are based on their own life experience and visual experience, looking for the traditional culture, regional culture and modern culture, the starting point, trying to life consciousness and cultural personality, touch with the soul of real-life texture, to pursue a Lost traces of life in order to show its unique humanistic value.