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本文主要讨论现代漆画在当代艺术大环境下的发展与矛盾。漆画既要照顾七千年漆艺的历史惯性,又要很快融入到当代艺术大环境中去,这使现代漆画的地位变得十分尴尬。一方面传统派认为要遵守传统的材料、技法等才是纯粹的漆画艺术;另一方面,当代艺术界又认为漆画的材料,创作思维保守传统,与当代艺术的口味格格不入,因此不承认漆画的当代艺术性。本文希望提出这一现实矛盾,而获得学术界、艺术界对漆画发展的更多关注与帮助。
This article mainly discusses the development and contradiction of modern lacquer painting in the contemporary art environment. Lacquer painting not only takes care of the historical inertia of seven thousand years of lacquer art, but also quickly into the contemporary art environment, which makes the status of modern lacquer becomes very embarrassing. On the one hand, the traditionalists think that it is pure painting and lacquering art to observe the traditional materials and techniques. On the other hand, the contemporary art circles also consider the traditional materials of lacquering and the tradition of creative thinking as incompatible with the tastes of contemporary art. Lacquer painting contemporary artistry. This article hopes to put forward this realistic contradiction, and get more attention and help from academia and art circles to the development of lacquer painting.