2010年,微博对中国艺术界的影响是微薄的,但是它确实进入了话题,用好了也可以转换成艺术生产力。对于画廊来说,微博直接成为一个宣传平台,这点无它可谈。而对于公共艺术机构来说,则令人欣喜,非营利机构就是需要这样的不花钱的宣传。2010年,微博上大多与博物馆相关的账号都粉丝过千。 In 2010, the impact of Weibo on the Chinese art world is modest, but it really entered the topic, and if it is good it can also be transformed into artistic productivity. For the gallery, microblogging directly become a platform for publicity, this point nothing to talk about. And for the public art agency, it is gratifying that nonprofit organizations need such publicity. In 2010, most of the accounts on the Weibo related to the museum had more than a thousand fans.